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Gallery: Scripture for the eye

PinacothecaIcons, altarpieces, windows, and pictures made here
For most of Christian history most Christians could not read. They knew the Bible from the walls: Adam and Eve on the west door, the Nativity in the window, the Last Judgment over the chancel arch, the saints in the niches. Gregory the Great called pictures the books of the unlettered. This gallery keeps that tradition: sacred art of the churches, explained, and original pictures made for this place, modelled on Scripture.
The catacombs

The Good Shepherd, the fish, the anchor: the first Christian art, drawn on tombs in Rome

The icon

The East: a window into heaven, painted by rule and prayer; Christ Pantocrator, the Mother of God, the saints

Iconoclasm

The eighth century argues whether images are idols; the seventh council answers: the honour passes to the one depicted

Romanesque and Gothic

The West carves the Bible in stone and pours it into glass; Chartres, Canterbury, Assisi

The Renaissance

Giotto, Fra Angelico, Michelangelo: the Bible with a human face, and the ceiling of the Sistine Chapel

The Reformation

Reformed churches whitewash the walls and keep the Word; Lutherans keep the crucifix; Anglicans keep some of both

The Baroque and after

Caravaggio's light, Rembrandt's Prodigal Son, the Orthodox revival of the icon

Now

Digital pictures, drawn for screens: the same task, to let the light through

Judaism and Islam take the second commandment differently from most Christians. The synagogue is adorned with pattern, text and light, but not with the human form; the Torah scroll itself is the holy object. The mosque is a garden of calligraphy and geometry; the word of God is written, never drawn. Both traditions are a standing reminder of the danger the commandment names: that the picture can replace what it points to.
The Christian answer, argued out in the eighth century, is the Incarnation. God, who could not be depicted, took a face in Jesus; to paint that face is to confess that he was truly seen. An icon is not worshipped; it is honoured, and the honour passes through it to the one it shows. Every picture in this gallery is offered on that understanding: a window, not the light.
Who made the pictures here?

Historic works are named with their artist and place. Original pictures are made by the people of this church and are marked as such.

May I use a picture?

Historic works are in the public domain unless stated. Original pictures may be used for personal, teaching and non-commercial purposes with the source named.

Why are the illustrated stories kept apart?

Because they are fiction modelled on Scripture, not Scripture. They have their own pages and link back here.

Is this art Catholic?

Much of it was made by Catholics and Orthodox, some by Protestants. It is explained as the art of the whole Church; this place claims none of it as its own tradition.

He is the image of the invisible God, the firstborn of all creation.

— Colossians 1:15

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Store and giving

The store is not the centre of this place. It exists so that good books, pictures and study materials are within reach of those who read and pray here.
Books, pictures, study materials
Today’s readingSep 10 feature

A different reading each day.

Abraham, Father of Many Nations — What Jews, Christians and Muslims Share, and Where They Part Study & Formation Abraham, Father of Many Nations — What Jews, Christians and Muslims Share, and Where They Part 2026/09/05 One Faith, Many Rooms — Catholic, Orthodox, Protestant and Independent: How the Christian Families D Parish Network One Faith, Many Rooms — Catholic, Orthodox, Protestant and Independent: How the Christian Families D 2026/09/03 Hear, O Israel — The Shema, the Greatest Commandment, and the Prayer Jesus Prayed Every Day Scripture Hear, O Israel — The Shema, the Greatest Commandment, and the Prayer Jesus Prayed Every Day 2026/09/04
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